1977, Giuseppe Bertolucci.
Ocio not to confuse "Bertolucci". This is called Joseph, brother of the famous Bernard, with whom he also collaborated on several films. Here he brought in a comedy film written by the same Joseph Roberto Benigni: "Cioni Mario di Gaspare was Julia."
If someone has become accustomed to sweetened Benigni, oscarizzato and, sorry to say but I just beat it, gentrified of our day, it had better avoid this movie. Here is the true Benigni, That is in me that always liked, completely outside the box! With an air of grotesque worthy of my myths and Ciprì Maresco talking about maladjusted people, on the border of human decency, angry abbestia with their social situation.
constant topic in the literal sense: saws, blowjobs, fuck (which is a kind of chimera), but also crap and piss, and we do not miss anything.
constant topic in the broader sense of politics, a desire for revolution, atheism, the disappointed by a lack of real class struggle. This last point has a fantastic metaphor at some point, when the spontaneous nocturnal pollution Cioni compare with later made blowjobs specially. Well, a political revolution would be like pollution, a phenomenon to seize the moment and what comes after sublime artifact is then, and just stupid blowjob, in every sense.
Very funny! But have to like the humor of Tuscany's most truthful, sour and, in this case, strongly sex-oriented. Even a priest will say a near-blasphemy, church bells will ring the Red Banner. Tenderness that makes Cioni, to pay the debt of a card game, will provide the meat of emaciated mothers sexual amusements of the winner who, satisfied as never experienced the pleasure, will be convinced because of this that God exists. And then? And then nothing, it is a film against, anti-everything, vulgar, dirty and for this: to enjoy! Commercial flop, full of cuts output, also prohibited to minors, now find easily in full.
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| that was what brought the cinema of the country. on this subject, I would have to say, but I will speak at a forthcoming review. |
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| down below, on a field near the highway (we are in Prato area) a family takes a picnic. squalor just from "Cynic." |
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| is an old, but also the most coveted morsel of outdoor dance hall. will be the only winning Cioni, his life, but the "friends" know how to ruin. |
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| poor Berlinguer, reduced to a scarecrow, but the Cioni and speaks a lot, with trust and respect. I have to tell the truth, see it represented so much character, puppet-like, made me a certain feeling, more than anything else for the meaning that could portend. But had it not good to Henry, a character of another era: the objections to the film did not come from him, but by the "usual". Today is a D'Alema any for a caricature done by the excellent Eighth Dwarf Sabina Guzzanti made a shrug of the shields ... other times, I repeat, the other characters and thickness. |
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| beautiful quartet |
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| seemed the right time, then two feminists who find the people's house, where there I say ... going to happen! |
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| Bozzone, trucidissimo but a poet, is preparing to limp through the mother's Cioni |
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| here she is the mother, is telling the the fable of the "Land of broken ass." E 'Alida Valli, not quite recognizable. |
The famous song, known more for those who love the True Benigni, "The Hymn of the body loose," was composed during the shooting and would have to be part of the movie but then decided otherwise .
Here it is, in a beautiful live version.
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